I presume someone has already made a parody of Room 237 where a bunch of film critics talk over the footage offering far-fetched theories about why Rodney Ascher put this together in the first place?
Byzantium continues to prove that Saoirse Ronan is fecking deadly, even if it is one of those Neil Jordan movies that leaves you surprised he made it.
Here’s how dumb I am. I was dumb enough to be surprised at just how dumb Lucy was. I mean, I expected a dumbfest, considering the “humans only use 10% of their brain mumbo jumbo”, but the godlike powers that accrued to Scarlet’s character was quite spectacularly stupider than anything I could have dared to hope for. The best blockbuster of the summer was Edge of Tomorrow, but this was almost as satisfying in its gun-toting momentum.
If a movie about tornado hunters doesn’t feature lots of people shouting “Hold on! Just hold on!” then the damn scriptwriters don’t know what they are doing. No fear of that with Into The Storm, a film so formulaic that the scriptwriters know exactly what they are doing because they have hunted the films that have gone before and delivered exactly what the audience wants: a film with strong winds.
The Congress stars Robin Wright as Robin Wright, a beautiful actress with an ambivalent relationship to acting and a tendency to make ill advised career moves. Surprisingly, her performance is superb. You’d think playing yourself is easy, but Wright is amazing in how she occupies that role so fully that you forget that she is playing herself. Made by the guy behind Waltz With Bashir, this is a fascinating set up: movie studios are digitally sampling their actors and then forcing them into retirement. Films will be stitched together by computer artists in the future from the stock footage accumulated from just a few hours capturing the movie stars of today. In the first half of the film, things are brilliant and compelling and philosophically interesting. In the second half of the film, things get more animated. Literally. And the momentum of the plot, the clarity of ideas and the enjoyment of the viewer suffers. It goes on too long and gets confused within itself. Wife-unit and I can’t put the plot together in such a way that it isn’t incoherent, but it’s one of those films where maybe we just weren’t smart enough to piece it together. When films mistake themselves for brain teasers, something is amiss. The animation is technically marvelous, but the narrative doesn’t drive it forward, so it is just impressive drawing. A failed masterpiece or a glorious crapfest – we couldn’t decide which but it is definitely worth watching.
Finally, This is Martin Bonner is a unique, flash of a film. It is sort of the opposite to The Congress. It is short and thematically sparse and so simple you would be mistaken for thinking there was no plot. As this review in The Other Journal (one of the single, finest pieces of film writing I’ve ever read) helpfully puts it, it is a film about sight and investment. It centres on two people: an older man starting a job with a Christian charity that help re-integrate ex-offenders into society and a middle-aged man who is coming out of prison after a 12 year sentence. It is a deep, quiet, humble film. There is no elaboration in the cinematography or inter-trans-textuality in the script. It is a mundane story about real people, compellingly told. Of all the movies I’ve seen since Sunday, this is the best.
Also, the lead actor can play Karl Barth in the Avengers’ style comic book movie I am writing about the great theologians (Peter Capaldi as Calvin and Meryl Streep as Catherine of Siena), cos he’s the spit of him, as we’d say in Dublin.
Your Correspondent, He’s smart, he’s sensitive, he’s clearly not obsessed with his physical appearance…